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Evokation
 
 
Index
 

 

TABLE, OLD MOON
TABLE, NEW, MOON
TABLE, FULL, MOON
TABLE, VIRGIN MARY
TABLE, MUSIC, MUS, I, C, MUSIC
TABLE, MUSIC, M, US, I, C
TABLE, VIRGIN, ORIGIN
TABLE, AYE, EYE, I
TABLE, TRINITY, POWER, JUSTICE, LOVE, LAW, JUDGEMENT
TABLE, CHAOS, ENTROPY
TABLE, ENTROPY, ORDER
TABLE, CREATIVITY, ITY
TABLE, DESTRUCTION, DISORDER
TABLE, EQUILIBRIUM, BALANCE, EQUALITY
TABLE, VIRGIN MARY, EQUILIBRIUM
TABLE, ORDER, DISORDER
TABLE, DENDERAH, ZODIAC
TABLE, RAM, ARIES
TABLE, PISCES, FISH
TABLE, FISHES
TABLE, PRIMA MATERIA, PRIMA, MATERIA
TABLE, INDIVIDUAL
TABLE, MISSISSIPPI
TABLE, SPIRIT, LEVEL
TABLE, EL, ELECT, ELECTRIC, ELECTORATE, ELECTRICITY
TABLE, ELECTRONS, PHOTONS, NEUTRINOS, PROTONS
TABLE, ELECTRICITY, ELECTRIC, CITY
TABLE, ELECTRIC, POWER
TABLE, ELECTRONS, ELECTRIFIES, ELECTRIFIED, ELECTRIC, ELECTRO, ELECTRON, ELECT
TABLE, ARRIVE, DEPART
TABLE, ARRIVE, A, R, R, I, VE
TABLE, MERKABAH, ME, R, KAB, AH, MERKABAH
TABLE, WATER, FLOW, LIQUID, VISCOUS, FLUID
TABLE, SOLAR, FLARES
TABLE, ABORTION, ABO, R, T, I, ON, ABORTION
TABLE, I, SIGHT
TABLE, EYE, SIGHT
TABLE, WORD, SWORD, SWEAR, OR, DIE
TABLE, FAT, THIN
TABLE, I, NAME, YOU, HUMAN
TABLE, PLATO, PLAY, TO
TABLE, THE, NAME
TABLE, MATTER, ANTI
TABLE, ANTI-MATTER, MATTER
TABLE, MAGNETIC, MERIDIAN
TABLE, DOVE, LOVE
TABLE, MERIDIAN, ME, R, I, D, I, AN, MERIDIAN
TABLE, MERIDIAN, MERI, D, I, AN, MERIDIAN
TABLE, MERIDIAN, ME,R, I, DIAN, MERIDIAN
TABLE, GEO
TABLE, PHYSICAL, PHYS, I, CAL, PHYSICAL

 

sun

energy

energy

energy

energy

energy

energy

energy

energy

energy

energy

rrrraaaaaaaahhhhhhhhhhhhhhhh!

OBJECTIVE REALITY

  poems and essays by

lloyd c.daniel1985  

 

ADVENT 201

In Search Of The Miraculous
Fragments of an Unknown Teaching
P.D.Oupensky

Page 96    
       9 x 6 = 54
" There exist not one, but three universal languages. The first of them can be spoken and written while remaining within the limits of ones' own language. The only difference is that when people speak in their ordinary language they do not understand one another but in this other language they do understand. In the second language, written language is the same for all peoples, like say figures or mathematical formulae; but people still speak their own language yet each of them understands the other even though the other speaks in an unknown language. The third language is the same for all both the written and the spoken. The difference of language disappears altogether on this level."

Thus spake the prophet Gurdjieff. 

Page 283

"In western systems of occultism there is a method known by the name of 'theosophical addition', that is, the definition of numbers consisting of two or more digits by the sum of those digits. To people who do not understand the symbolism of numbers this method of synthesizing numbers seems to be absolutely arbitrary and to lead nowhere. But for a man who understands the unity of everything existing and who has the key to this unity the method of theosophical addition has profound meaning, for it resolves all diversity into the fundamental laws which  
govern it and which are expressed in the numbers 1 to 10. As was mentioned earlier in symbology,
as represented , numbers are connected with definate geometrical figures  and are mutually
complimentary one to another. In the Cabala a symbology of letters is also used and in combination with the symbology of letters a symbology of words.A combination of the four methods of symbolism by numbers, geometrical figures, letters and words, give a complicated but more perfect method."
Thus spake the prophet Gurdjieff
 
        

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8

1
1
1
1
1
1
1
1
1
1
1
1
A
+
Z
+
B
+
Y
+
C
+
X
+
D
+
W
+
E
+
V
+
F
+
U
+
G
+
T
+
H
+
S
+
I
+
R
+
J
+
Q
+
K
+
P
+
L
+
O
+
M
+
N
9
9
9
9
9
9
9
9
9
9
9
9
9

   There are 9 letters in Twenty six  said Zed Aliz,  six in twenty, and three in six, and three x six iz 18
                                                                   Azin Ra, and the Eight.
 
Having wrote that the scribe writ this. There are letters in twenty-six and eight in Alphabet and 9 x 8 iz 72
 

 
13 x 9 iz  117
12 x 1       12
          =   129
            1 x 2 x 9
                 18
               1 + 8
                  9  
 
 
 

Fingerprints Of The Gods
1996 
Edition
Graham Hancock

Page 490 /491

490 + 491            
      981
  9 + 8 + 1= 18
                  1 + 8 = 9
 
Page 490

4 x 9 = 36   3 + 6 = 9

"The novelist Arthur Koestler, who had a great interest in synchronicity, coined the term 'library angel' to describe the unknown agency responsible for the lucky breaks researchers sometimes get which lead  

/ Page 491  /  

to exactly the right information being placed in their hands at exactly the right moment."

LOOKING GLASS UNIVERSE
John P Briggs and F. David Peat
"...Its impossible to say just when the quantum revolution started. By some calculations, it began at the turn of the century
- but it took well over two decades before anyone really suspected that a paradigm shift was under way.
"...The ancient Greeks believed the atom to be the ultimate unit of matter, the indivisible part out of which all other parts
are made. Early twentieth-century physicists had discovered that this indivisible atom itself had 'parts'. The proton
and electron, and they devised various pictures of how these fit together.
      The great experimentalist Ernest Rutherford proposed the most convincing model. Rutherford said the atom was like a tiny solar system, with a massive central core surrounded by lighter orbiting electrons.
      Niels Bohr had thought about this appealing model and realized there was something seriously wrong with it. When the laws of classical physics were applied to the minature solar system, a paradox appeared. Calculations said the orbiting elec-trons should give off energy and spiral down into the nucleus.Measured on human time scales, this orbital decay would happen in the blink of an eye. Theoretically, therefore, all atoms should collapse in a moment. And since everything is composed of atoms, there should be no stability in all the universe. Such  

/ Page 36  /

things as mountains and stones would be impossible. Obviously this wasn't the case
   Bohr therefore proposed a triumphant and far-reaching new model to solve this paradox. He discovered it by combining two clues"

Page 37

Diagram omitted " In our solar system, the planets are continually losing energy and spiralling gradually towards the sun. We don't notice this because the scale of our solar system is so large. Bohr saw that Rutherford's atomic solar system, because its scale is so small, would seem to us to collapse in a moment."
"..."Scientists knew that the distance between the lines in the spectral fingerprint of an element could be represented  

/ Page 38  /

mathematically by particularly simple numerical formulae, but they didn't know what the lines or the formulae meant. Bohr guessed that the spectral lines must correspond in some way to the energy of the electron as it orbited around the atom. As the atom is exited in a flame, one of its electrons jumps to higher and higher orbits, something akin to a pianist going up the scale At each jump it gives off some energy which appears as a line on the spectrum. Bohr had got that far in his thinking, but he didn't know what governed the electron orbits. Why were they spaced according to such simple formulae? Why did the electron take only fixed (discrete) steps instead of spiralling up or down to its new orbit the way a planet or satellite does? "
       To answer these questions, Bohr turned to his second clue the quantum of Max Plank.
"...Plank proposed the bizarre idea that light energy can be emitted and absorbed in discrete or separate units he called 'quanta'.
"...Albert Einstein, won a Nobel Prize for showing that indeed energy does possess a particle-like nature.
 

Page 39

"...With Planck's and Einstein's dis-covery, the first of what have come to be known as the quantum paradoxes was born: light and other forms of energy have a dual personality - at times behaving like a wave and at times like a             particle!"
"...Bohr put together his two clues, the discrete quantum and the spectral lines, then applied them to Rutherford's atomic solar system and derived a suprising new model of the atom. What Bohr proposed was that the possible energy levels for an atom are 'quantized' that is they are fixed and discrete. An electron can move only in certain separated orbits, almost like a set of grooves drawn around the nucleus. An electron can,t lose or gain energy in a continuous way, spiralling to higher or lower orbits; it takes in or throws off a packet (Quantum) of energy and leaps from one groove to the other like a rabbit disappearing and reappearing discontinuously  in various hats.
     In the hydrogen atom, which Rutherford said had one elec-tron in orbit, if a quantum packet of light energy is absorbed, the  

/ Page 40  /

electron jumps to a higher orbit. In this case, whether it jumps to the orbit next door or twelve orbits away depends on how big a quantum of energy it takes in.And if the hydrogen electron is in an outer orbit and emits (gives off) a quantum, it leaps discon-tinuously (like a magical rabbit) down to a lower orbit. In either direction, the electron can only occupy the fixed orbits, nothing in between. None knows how the electron travels from one orbit to another. Each quantum jump, up or down, will be /
 
Diagram omitted
     The electron (rabbit ) jumps discontinuously from orbit to orbit by taking in or emitting quanta. The rabbit leaves a record of her magical jump as a line on the emission spectrum.

 

 

KALEIDOSCOPE
The Everlasting Sacred Secret Cycle Of The Nines

 On the way to coming here we went there.

 
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26

Again, the far yonder scribe watched in some amaze the Zed AliZed, in swift repeat scatter the nine numbers amongst the letters of their progress. At the throw of the ninth arm when in conjunction set, the far yonder scribe made record of the fall.
  
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8

A

+B

+C

+D

+E

+F

+G

+H

+I

+J

+K

+L

+M

+N

+O

+P

+Q

+R

+S

+T

+U

+V

+W

+X

+Y

+Z

1

2

3

4

5

6

7

8

9

10

11

12

13

14

15

16

17

18

19

20

21

22

23

24

25

26

 

1
A J S
1 10 19
30
3 + 0
3
3
3

2
B K T
2 11 20
33
3 + 3
6
6
6

3
C L U
3 12 21
36
3 + 6
9
9
9

4
D M V
4 13 22
39
3 + 9
12
1 + 2
3

5
E N W
5 14 23
42
4 + 2
6
6
6

6
F O X
6 15 24
45
4 + 5
9
9
9

7
G P Y
7 16 25
48
4 + 8
12
1 + 2
3

8
H Q Z
8 17 26
51
5 + 1
6
6
6

9
I R
9 18
27
2 + 7
9
9
9

   

     

9              +              9

18
azin
Ra and the Eight
1 x 2 x 3 x 4 x 5 x 6 x 7 x 8 x 9

                                                          2 x 3
                                                             6 x 4  
                                                                24 x 5
                                                                   120 x 6
                                                                      720 x 7
                                                                         5040 x 8
                                                                            40320 x 9
                                                                               362880
                                                                                 36 2880

18
azin
Ra and the Eight

1 x 2 x 3 x 4 x 5 x 6 x 7 x 8 x 9
                                 7 x 72
                           6 x 504
                      5 x 3024 
               4 x 15120
           3 x 60480
     2 x 181440
             362880       
      36 2880        

 

G     O     D    and     G    O    D    S
7  +  6 +  4                7 +  6 +  4 + 1
17                               18
1 + 7                           1 + 8
8               x               9
72
2 x 7
14
7 + 2

9

 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
 

Azin 14 members of Osiris x 72 conspirators said ZedAlizZed
1008
1 + 8
9
 

See also Gurdjieff  Document
In Search Of The Miraculous
Fragments of an Unknown Teaching
P.D.Oupensky

Page 96    
       9 x 6 = 54
" There exist not one, but three universal languages. The first of them can be spoken and written while remaining within the limits of ones' own language. The only difference is that when people speak in their ordinary language they do not understand one another but in this other language they do understand. In the second language, written language is the same for all peoples, like say figures or mathematical formulae; but people still speak their own language yet each of them understands the other even though the other speaks in an unknown language. The third language is the same for all both the written and the spoken. The difference of language disappears altogether on this level."

Thus spake the prophet Gurdjieff.

Page 283

"In western systems of occultism there is a method known by the name of 'theosophical addition', that is, the definition of numbers consisting of two or more digits by the sum of those digits. To people who do not understand the symbolism of numbers this method of synthesizing numbers seems to be absolutely arbitrary and to lead nowhere. But for a man who understands the unity of everything existing and who has the key to this unity the method of theosophical addition has profound meaning, for it resolves all diversity into the fundamental laws which  
govern it and which are expressed in the numbers 1 to 10. As was mentioned earlier in symbology,
as represented , numbers are connected with definate geometrical figures  and are mutually
complimentary one to another. In the Cabala a symbology of letters is also used and in combination with the symbology of letters a symbology of words.A combination of the four methods of symbolism by numbers, geometrical figures, letters and words, give a complicated but more perfect method."
Thus spake the prophet Gurdjieff
 
        

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
 

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8
9
1
2
3
4
5
6
7
8

1
1
1
1
1
1
1
1
1
1
1
1
A
+
Z
+
B
+
Y
+
C
+
X
+
D
+
W
+
E
+
V
+
F
+
U
+
G
+
T
+
H
+
S
+
I
+
R
+
J
+
Q
+
K
+
P
+
L
+
O
+
M
+
N
9
9
9
9
9
9
9
9
9
9
9
9
9

   There are 9 letters in Twenty six  said Zed Aliz,  six in twenty, and three in six, and three x six iz 18
                                                                   Azin Ra, and the Eight.
 
Having wrote that the scribe writ this. There are letters in twenty-six and eight in Alphabet and 9 x 8 iz 72
 

 
13 x 9 iz  117
12 x 1       12
          =   129
            1 x 2 x 9
                 18
               1 + 8
                  9
 
 
 

Fingerprints Of The Gods
1996 
Edition
Graham Hancock

Page 490 /491

490 + 491            
      981
  9 + 8 + 1= 18
                  1 + 8 = 9
 
Page 490

4 x 9 = 36   3 + 6 = 9
"The novelist Arthur Koestler, who had a great interest in synchronicity, coined the term 'library angel' to describe the unknown agency responsible for the lucky breaks researchers sometimes get which lead  

/ Page 491  /  

to exactly the right information being placed in their hands at exactly the right moment."

LOOKING GLASS UNIVERSE
John P Briggs and F. David Peat
"...Its impossible to say just when the quantum revolution started. By some calculations, it began at the turn of the century
- but it took well over two decades before anyone really suspected that a paradigm shift was under way.
"...The ancient Greeks believed the atom to be the ultimate unit of matter, the indivisible part out of which all other parts
are made. Early twentieth-century physicists had discovered that this indivisible atom itself had 'parts'. The proton
and electron, and they devised various pictures of how these fit together.
      The great experimentalist Ernest Rutherford proposed the most convincing model. Rutherford said the atom was like a tiny solar system, with a massive central core surrounded by lighter orbiting electrons.
      Niels Bohr had thought about this appealing model and realized there was something seriously wrong with it. When the laws of classical physics were applied to the minature solar system, a paradox appeared. Calculations said the orbiting elec-trons should give off energy and spiral down into the nucleus.Measured on human time scales, this orbital decay would happen in the blink of an eye. Theoretically, therefore, all atoms should collapse in a moment. And since everything is composed of atoms, there should be no stability in all the universe. Such  

/ Page 36  /

things as mountains and stones would be impossible. Obviously this wasn't the case
   Bohr therefore proposed a triumphant and far-reaching new model to solve this paradox. He discovered it by combining two clues"

Page 37

Diagram omitted " In our solar system, the planets are continually losing energy and spiralling gradually towards the sun. We don't notice this because the scale of our solar system is so large. Bohr saw that Rutherford's atomic solar system, because its scale is so small, would seem to us to collapse in a moment."
"..."Scientists knew that the distance between the lines in the spectral fingerprint of an element could be represented  

/ Page 38  /

mathematically by particularly simple numerical formulae, but they didn't know what the lines or the formulae meant. Bohr guessed that the spectral lines must correspond in some way to the energy of the electron as it orbited around the atom. As the atom is exited in a flame, one of its electrons jumps to higher and higher orbits, something akin to a pianist going up the scale At each jump it gives off some energy which appears as a line on the spectrum. Bohr had got that far in his thinking, but he didn't know what governed the electron orbits. Why were they spaced according to such simple formulae? Why did the electron take only fixed (discrete) steps instead of spiralling up or down to its new orbit the way a planet or satellite does? "
       To answer these questions, Bohr turned to his second clue the quantum of Max Plank.
"...Plank proposed the bizarre idea that light energy can be emitted and absorbed in discrete or separate units he called 'quanta'.
"...Albert Einstein, won a Nobel Prize for showing that indeed energy does possess a particle-like nature.
 Page 39

"...With Planck's and Einstein's dis-covery, the first of what have come to be known as the quantum paradoxes was born: light and other forms of energy have a dual personality - at times behaving like a wave and at times like a             particle!"
"...Bohr put together his two clues, the discrete quantum and the spectral lines, then applied them to Rutherford's atomic solar system and derived a suprising new model of the atom. What Bohr proposed was that the possible energy levels for an atom are 'quantized' that is they are fixed and discrete. An electron can move only in certain separated orbits, almost like a set of grooves drawn around the nucleus. An electron can,t lose or gain energy in a continuous way, spiralling to higher or lower orbits; it takes in or throws off a packet (Quantum) of energy and leaps from one groove to the other like a rabbit disappearing and reappearing discontinuously  in various hats.
     In the hydrogen atom, which Rutherford said had one elec-tron in orbit, if a quantum packet of light energy is absorbed, the  

/ Page 40  /

electron jumps to a higher orbit. In this case, whether it jumps to the orbit next door or twelve orbits away depends on how big a quantum of energy it takes in.And if the hydrogen electron is in an outer orbit and emits (gives off) a quantum, it leaps discon-tinuously (like a magical rabbit) down to a lower orbit. In either direction, the electron can only occupy the fixed orbits, nothing in between. None knows how the electron travels from one orbit to another. Each quantum jump, up or down, will be /
 
Diagram omitted
     The electron (rabbit ) jumps discontinuously from orbit to orbit by taking in or emitting quanta. The rabbit leaves a record of her magical jump as a line on the emission spectrum.
 

 

Page 41  /

recorded as a line on the absorption emission spectrum. When Bohr calculated the energy levels (orbits) of the hydrogen atom and compared them with the formulae for the lines on the hydrogen spectrum, they fitted perfectly. He also determined that when the electron reaches its lower orbit, it has nowhere else to go and cannot give away any more energy. The electron in this 'ground state' is absolutely stable. Stones or mountains made from atoms can exist for eternity.

       Bohrs theory was brilliant and had an immediate appeal for physicists of the time because it integrated the strange new insights of Planck and Einstein on the discontinuous quantum nature of energy into a traditional and familiar Newtonian framework of orbits around a central body."

 

 

7
NEW + MOON
99
36
9
6
ORACLE
54
27
9
13
Add to Reduce
153
63
18
1+3
Reduce to Deduce
1+5+3
6+3
1+8
4
Essence of number
9
9
9
-
-
-
-
-
-
-
-
-
-
10
LOVE + EVOLVE
135
45
9

 

 

7
OLD MOON
88
34
7

 

 

3
NEW
42
15
6
4
MOON
57
21
3
7
Add to Reduce
99
36
9
-
Reduce to Deduce
9+9
3+6
-
-
-
18
9
9
-
-
1+8
-
-
7
Essence of number
9
9
9

 

 

4
FULL
51
15
6
4
MOON
57
21
3
8
Add to Reduce
108
36
9
-
Reduce to Deduce
1+0+8
3+6
-
7
Essence of number
9
9
9

 

 

10
V
I
R
G
I
N
-
M
A
R
Y
--
-
-
-
-
-
-
-
-
-
22
9
18
7
9
14
-
13
1
18
25
+
=
136
1+3+6
=
10
1+0
=
1
-
4
9
9
7
9
5
-
4
1
9
7
+
=
64
6+4
=
10
1+0
=
1
-
-
-
-
-
-
-
-
-
1
-
-
+
=
1
-
-
1
-
-
-
-
4
-
-
-
-
-
-
4
-
-
-
+
=
8
-
-
8
-
-
-
-
-
-
-
-
-
5
-
-
-
-
-
+
=
5
-
-
5
-
-
-
-
-
-
-
7
-
-
-
-
-
-
7
+
=
14
1+4
=
5
-
-
-
-
-
9
9
-
9
-
-
-
-
9
-
+
=
36
3+6
=
9
-
-
-
10
V
I
R
G
I
N
-
M
A
R
Y
--
-
-
-
-
-
-
-
-

 

 

1
occurs
x
1
=
1
-
-
1
4
occurs
x
2
=
8
-
-
8
5
occurs
x
1
=
5
-
-
5
7
occurs
x
2
=
14
1+4
=
5
9
occurs
x
4
=
36
3+6
=
9

 

 

5
MUSIC
-
-
-
-
M+U+S
53
8
8
-
I
9
9
9
-
C
3
3
3
5
MUSIC
65
20
20
-
-
6+5
2+0
2+0
-
-
11
2
2
-
-
1+1
-
-
5
MUSIC
2
2
2

 

 

5
MUSIC
-
-
-
-
M
13
4
4
-
U+S
40
4
4
-
I
9
9
9
-
C
3
3
3
5
MUSIC
65
20
20
-
-
6+5
2+0
2+0
-
-
11
2
2
-
-
1+1
-
-
5
MUSIC
2
2
2

 

 

V
=
22
=
4
-
6
VIRGIN
79
43
7
O
=
15
=
6
-
6
ORIGIN
72
45
9

 

 

3
AYE
31
13
4
3
EYE
35
17
8
1
I
9
9
9

 

 

5
POWER
77
32
5
7
JUSTICE
87
24
6
4
LOVE
54
18
9
3
LAW
36
9
9
9
JUDGEMENT
99
36
9

 

 

5
CHAOS
46
19
1
7
ENTROPY
113
41
5

 

 

7
ENTROPY
113
41
5
5
ORDER
60
33
6
12
-
-
-
11
1+2
-
-
-
1+1
3
-
-
-
2

 

 

10
CREATIVITY
132
51
6
3
ITY
54
18
9

 

 

11
DESTRUCTION
148
49
4
8
DISORDER
92
47
2

 

 

10
EQUILIBRIUM
136
64
1
7
BALANCE
38
20
2
8
EQUALITY
110
38
2

 

 

10
VIRGIN MARY
136
64
1
11
EQUILIBRIUM
136
64
1

 

 

5
ORDER
60
33
6
8
DISORDER
92
47
2
13
-
152
80
8
1+3
-
1+5+2
8+0
-
4
-
8
8
8

 

 

8
DENDERAH
59
41
5
6
ZODIAC
58
31
4
14
-
117
72
9
1+4
-
1+1+7
7+2
-
5
-
9
9
9

 

 

3
RAM
32
14
5
5
ARIES
52
25
7
8
-
84
39
12
-
-
8+4
3+9
1+2
-
-
12
12
3
-
-
1+2
1+2
-
8
-
3
3
3

 

 

6
PISCES
71
26
8
4
FISH
42
24
6

 

 

6
FISHES
61
25
7

 

 

- PRIMA MATERIA - - -
5
PRIMA
57
30
3
7
MATERIA
67
31
4
12
PRIMA MATERIA
124
61
7
1+2
-
1+2+4
6+1
-
3
PRIMA MATERIA
7
7
7

 

 

10
INDIVIDUAL
105
51
6

 

 

11
MISSISSIPPI
157
58
4

 

 

6
SPIRIT
91
37
1
5
LEVEL
56
20
2

 

 

2
EL
17
8
8
5
ELECT
45
18
9
8
ELECTRIC
75
39
3
10
ELECTORATE
104
41
5
11
ELECTRICITY
129
57
3

 

 

9
ELECTRONS
111
39
3
7
PHOTONS
107
35
8
9
NEUTRINOS
135
45
9
7
PROTONS
117
36
9

 

 

11
ELECTRICITY
129
57
3
8
ELECTRIC
75
39
3
4
CITY
57
21
3

 

 

8
ELECTRIC
75
39
3
5
POWER
77
32
5

 

 

9
ELECTRONS
111
39
3
11
ELECTRIFIES
111
57
3
11
ELECTRIFIED
96
60
6
8
ELECTRIC
75
39
3
7
ELECTRO
78
33
6
8
ELECTRON
92
38
2
5
ELECT
45
18
9

 

 

6
ARRIVE
73
37
1
6
DEPART
64
28
1

 

 

6
ARRIVE
-
-
-
-
A
1
1
1
-
R
18
9
9
-
R
18
9
9
-
I
9
9
9
-
V+E
27
9
9
6
ARRIVE
-
-
-

 

 

8
MERKABAH
-
-
-
-
M+E
18
9
9
-
R
18
9
9
-
K+A+B
14
5
5
-
A+H
9
9
9
8
MERKABAH
59
32
32
-
-
5+9
3+2
3+2
-
-
14
5
5
-
-
1+4
-
-
8
MERKABAH
5
5
5

 

 

5
WATER
67
22
4
4
FLOW
56
20
2
6
LIQUID
72
36
9
7
VISCOUS
108
27
9
5
FLUID
52
25
7

 

 

5
SOLAR
65
20
2
6
FLARES
61
25
7
11
-
126
45
9
1+1
-
1+2+6
4+5
-
2
-
9
9
9

 

 

8
ABORTION
-
-
-
-
A+B+O
18
9
9
-
R
18
9
9
-
T
20
2
2
-
I
9
9
9
-
O+N
29
11
2
8
ABORTION
94
40
31
-
-
9+4
4+0
3+1
-
-
13
4
4
-
-
1+3
-
-
8
ABORTION
4
4
4

 

 

1
I
9
9
9
5
SIGHT
54
27
9

 

 

3
EYE
35
17
8
5
SIGHT
54
27
9

 

 

4
WORD
60
24
6
5
SWORD
79
25
7
5
SWEAR
66
21
6
2
OR
33
15
6
3
DIE
18
18
9

 

 

3
FAT
27
9
9
4
THIN
51
24
6

 

 

1
I
9
9
9
4
NAME
33
15
6
3
YOU
61
16
7
5
HUMAN
57
21
3

 

 

5
PLATO
64
19
1
4
PLAY
54
18
9
2
TO
35
8
8

 

 

3
THE
33
15
6
4
NAME
33
15
6

 

 

6
MATTER
77
23
5
4
ANTI
44
17
8
10
-
121
40
13
1+0
-
1+2+1
4+0
1+3
1
-
4
4
4

 

 

10
ANTI-MATTER
121
40
4
6
MATTER
77
23
5
16
-
198
63
9
1+6
-
1+9+8
6+3
-
-
-
18
9
9
-
-
1+8
-
-
7
-
9
9
9

 

 

8
MAGNETIC
72
36
1
8
MERIDIAN
73
46
1

 

 

4
DOVE
46
19
1
4
LOVE
54
18
9
8
-
100
37
10
-
-
1+0+0
3+7
1+0
-
-
1
10
1
-
-
-
1+0
-
8
-
1
1
1

 

 

8
MERIDIAN
-
-
-
-
M+E
18
9
9
-
R
18
9
9
-
I
9
9
9
-
D
4
4
4
-
I
9
9
9
-
A+N
15
6
6
8
MERIDIAN
73
46
46
-
-
7+3
4+6
4+6
-
-
10
10
10
-
-
1+0
1+0
1+0
8
MERIDIAN
1
1
1

 

 

8
MERIDIAN
-
-
-
-
M+E+R+I
18
9
9
-
D
4
4
4
-
I
9
9
9
-
A+N
15
6
6
8
MERIDIAN
73
28
28
-
-
7+3
2+8
2+8
-
-
10
10
10
-
-
1+0
1+0
1+0
8
MERIDIAN
1
1
1

 

 

8
MERIDIAN
-
-
-
-
M+E
18
9
9
-
R
18
9
9
-
I
9
9
9
-
D+I+A+N
28
19
1
8
MERIDIAN
73
46
28
-
-
7+3
4+6
2+8
-
-
10
10
10
-
-
1+0
1+0
1+0
8
MERIDIAN
1
1
1

 

 

3
GEO
27
18
9

 

 

8
PHYSICAL
-
-
-
-
P+H+Y+S
68
23
5
-
I
9
9
9
-
C+A+L
16
7
7
8
PHYSICAL
93
39
21
-
-
9+3
3+9
2+1
-
-
12
12
3
-
-
1+2
1+2
-
8
PHYSICAL
3
3
3

 




O

NAMUH

BELOVED CHILDREN OF THE LIGHT

HEARKEN

THE SILENT VOICE AS OF ONE CRYING IN THE WILDERNESS

THE

ZED ALIZ ZED

MIDWAY

BETWIXT AND BETWEEN

THE

MICROCOSM MACROCOSM

OF

ABOVE AND BELOW

AWAKENS TO THE SUMMONS IN THE OMEN OF THE MOMENT

THE

ZED ALIZ ZED

A

BEING OUTED BEING

THE

I

DROWNING DROWNING DROWNING

IN

THE

GREAT

MOTHER

THAT THAT THAT

ISISIS

ISISIS LOVE LOVE LOVE ISISIS LOVE LOVE LOVE ISISIS

I

THE

LIVING

MAGNETISM

OF

POSITIVE + NEGATIVE

ENERGIES

THAT ISISISISISIS THAT

DROWNING FOREVER DROWNING

EYE AM THAT I THAT I THAT AM EYE

THE JEWEL AT THE CENTRE OF THE LOTUS

ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ

1 + 2 + 3 + 4 + 5 + 6 + 7 + 8 + 9 9 + 8 + 7 + 6 + 5 + 4 + 3 + 2 + 1

ONE EIGHT THREE SIX 1836 ISISIS 6831 SIX THREE EIGHT ONE

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

THE

ZED ALIZ ZED

A

BEING GIFTED BEING

FORFEITS THAT FORFEIT OF FORFEITS

BEING A BEING

INVITED

TO

ENTER THE OPEN GATE THAT IS ALWAYS SHUT ENTERS

AND

XXXXXXXXXCROSSES XXXXXXXXX

THE

INVISIBLE TIGHT ROPE THREAD OF MEASURED TREAD

TO

PASS OVER THE DRIDGE OF NO RETURN

BECOMING

ONE WITH THE

NETHER OR EITHER OF ETHER OR NEITHER

FOREVER AND A DAY EXISTENCE

THAT

IS

THE

GLADDENING OF THE HASTENING AWHILE

REFLECTING THE SHADOWLANDS REFRACTION OF THAT LOST WITHIN

THE

MIRROR

OF

THINE OWN MINDS EYE

THE

TRIAL

THE

ZED ALIZ ZED

A

TETHERED GOAT

THE

INCANTATION

9

A

TRUTH

SERVICE AND DUTY

TO

GOD

7

SUFFER LITTLE CHILDREN TO COME UNTO ME AND FORBID THEM NOT FOR OF SUCH IS

THE KINGDOM OF EVEN

3

DO UNTO OTHERS AS YOU WOULD LIKE TO BE DONE BY

I

I AM THAT AM I

I

LOVE

ISISIS THAT GOD THAT SHE AZIN HE THAT GOD THAT ISISIS

LIFE AFFIRMING LOVE LIVING CREATIVE LIGHT CREATIVE LIVING LOVE AFFIRMING LIFE

ISISIS

LOVE

O

NAMUH

LOVE EVOLVE EVOLVE LOVE ISISIS LOVE ISISIS LOVE EVOLVE EVOLVE LOVE

THE

ZED ALIZ ZED

AWAITS

THE COMING FOURTH BY DAY

HEART OF EARTH

JUDGEMENT

OF

THAT OUGHT AZIN IN THOUGHT THAT

ISISIS

MAGIC OUT OF IMAGE C MAGI OUT OF IMAGE SEE

LIVE EVIL EVIL LIVE LIVED DEVIL LIVED LIVE EVIL EVIL LIVE

LIFE LIVE LOVE LIGHT LOVE LOVE LOVE LIGHT LOVE LIVE LIFE

THE RA THE RA THE RA THE RA THE RA THE RA THE RA THE RA THE RA

RA THE RA THE RA THE RA THE RA THE RA THE RA THE RA THE RA THE RA THE RA THE

EARTH HEART HEART EARTH EARTH THERA THERA THERA EARTH EARTH HEART HEART EARTH

THE

PATH OF PTAH

A

SEE SAW

NIGHT AND DAY

WEIGHING IN BALANCE

OF

THE UPSIDE DOWN OF THE DOWNSIDE UP

THE RIGHT BALANCE OF THE BALANCE RIGHT

THE

ZED ALIZ ZED

ACCEPTS

THE

FINAL KARMIC FEATHER

GIFTED OUT THE IN OF THE ONE TRUE GIVER OF GIFTS

THAT THAT THAT

ISISIS

REU NU PERT EM HRU

ELIF LAM RA

HAIL THE JEWEL AT THE CENTRE OF THE LOTUS

OM BHUR BHUVAH SVAHA TAT SAVITUR VARENYAM

BHARGO DEVASYA DHIMAHI DHIYO YO NAH PRACODAYAT

ISISIS ISISIS ISISIS ISISIS ONE NINE 9 ISISIS 9 NINE ONE ISISIS ISISIS ISISIS ISISIS

THE

ZED ALIZ ZED

A

BEING

TAKEN TO TASK AND NO QUESTIONS ASKED

A

BEING MEASURED BEING

ENERGIES

ACCUMULATED

EQUILIBRIUM

IN

BALANCE

DARK V LIGHT V WHITE V BLACK

MEASURED

AZ

HEAD IZ TO FOOT SO NOSE IZ TO TAIL

WHERE

INSIDE IS OUT AND FRONT IS BACK

THE

ZED ALIZ ZED

THE

THINKING KINGS KIN

FOREVER DROWNING DROWNING FOREVER DROWNING DROWNING FOREVER

INITIATION

ZED ALIZ ZED

A

SOUL

SEARCHING

OF

THAT SEE HEAR SEE THERE SEER SEEN HERE THAT HERE SEEN SEER THERE SEE HEAR SEE THAT

THAT ISISIS ISISIS THAT

I

AM

THAT I THAT IS CYCLOPS EYE CYCLOPS IS THAT I THAT

ISISIS ISISIS

THE

EYE

THAT NEVER SLEEPS THAT

I

THE

A IS TO Z AS Z IS TO A

ONE TO NINE NINE TO ONE

DAY TO DAY

MEASURING

OF

ZED ALIZ ZED

A

GIVE OR TAKE A FEW COME DAY GO DAY NEITHER HERE NOR THERE NOWT NOR SUMMAT UP OR DOWN IN OR OUT TOP BOTTOM HOT AND COLD FIFTY FIFTY DAY TO DAY DAY

EXAMINATION

OF

THAT LIFE SPAN THAT

IZ

THE

ZED ALIZ ZED

A

TRIAL

OF

THAT TRUTH THAT

ISISIS

THE

ZED ALIZ ZED

A

BEING

NOT TO BE FOUND WANTING RAISED THEN ERASED

THE

666

MARK OF THE BEAST

TESTING THE MEASURE OF THE SCALES THAT QUIVER AND NOW DELIVER

THE MOMENT OF MIRRORED OPPOSITES HAS ARRIVED

THE

JUDGEMENT

HOW SAY YOU

WHAT IS YOUR VERDICT

DO YOU FIND

THE

ZED ALIZ ZED

GUILTY OR NOT GUILTY

AZ WITH ONE VOICE THE TRUTH OF IT ALL SPOKE AND THE WORDS OF THOSE THAT SAID

READ

GUILTY GUILTY GUILTY GUILTY GUILTY GUILTY GUILTY GUILTY GUILTY

THE

QUESTORS QUESTION

IS

THAT THE VERDICT OF YOU ALL

AYE IT IS IS IT AYE

EYE IT IS

I

THE

SENTENCE

ON

ZED ALIZ ZED

ISISIS

MAA KHERU

THAT HEART THOU ART

THAT

SENTENCE BEING SOUNDED

THE

HE AZIN SHE THAT IS

ME

DIED A DEATH

THAT

I

BECOME THEE THAT THEE BECOME

ME

AND

I

OPEN THE MOTHERS MOUTH AT THE COMING FOURTH BY DAY

I AM THAT I THAT AM I

I

THE TURNING CIRCLE OF NEVER NEVER LAND THE NEVER BEGINNING NEVER ENDING CYCLE

THAT

IS

THE

ALPHA AND OMEGA

THAT

I

AM

I

AM

THAT I THAT

ISISIS

I

AM

THE EYE OF HORUS

FOREVER AND ALWAYS MANIFESTING

MYSELF

OUT THE IN OF ETERNAL MOTHER WOMB BIRTHING CREATIVITY OUT

MY

ENERGISED

STILLNESS

IN

ENDLESS FOREVER

THOU

O

NAMUH

CHILDREN OF THE LIGHT

ART

MINE

OWN

MINDS

I

LIVING WITHIN THE TANGLED IMAGERY OF THINE OWN FALSE ASSUMPTIONS

I

THE

SPIRIT ENERGY

GENERATOR

THAT

IS THE ALL OF IT

THAT ISISISISISIS THAT

EXISTENCE

IS

I

AM THAT THAT AM

I

THAT ISISIS THAT EYE THAT I AM THAT AM I THAT EYE THAT ISISIS THAT

ISISIS

THE INTELLIGENT CREATIVE LIFE SUSTAINING ENERGIES OF SUPREME LIVING LOVING RAINBOW

LIGHT

THAT ISISISISISIS THAT

BLESSED

THE

HOLY NAMES AND NUMBERS

OF

THAT

LOVING OMNIPOTENT CREATIVE SPIRIT OF LIFE

THAT

ISISIS

I AM THAT AM I

THAT A TO Z OF ONE TO NINE THAT ISISIS THAT NINE TO ONE OF Z TO A THAT

I

AM

THAT

 

THE

JOURNEYMAN

I

AM

THAT EYE THAT

I AM I

THOU ART THAT I THAT I ART THOU

THE HE AZIN SHE THAT IS THEE THAT IS ME THE SHE AZIN HE THAT IS THEE THAT IS ME

AUM MANI PADME HUM

BLESSED

ARE THE KALEIDOSCOPIC SHIMMERING IMAGINED ENERGIES OF MATERNAL CREATIVE SPIRIT

THAT

ISISIS

O

NAMUH

AWAKEN TO ME OPEN THEE THINE

EYES I I I I I I I I I EYES

ANUBIS A NUMBER IS ANUBIS A NUMBER IS ANUBIS A NUMBER IS

MYTHS MATHS MYTHS MATHS MYTHS MATHS MATHS MYTHS MATHS MYTHS MATHS MYTHS

O

NAMUH

THOU

ART

THAT THAT ISISIS THAT THAT

IS

THY

TRUE

NATURE

LET THE HE AZIN SHE THAT IZ THEE HEAR THE VOICE OF THINE OWN ANGUISH

HEARKEN

O

LOTUS EATERS

THE

SILENCE THAT SPEAKS IN ALL TONGUES

O

NAMUH

THOU

WANDERING IN THE WILDERNESS OF THINE OWN DISCONTENT

SEE HEAR THE LANGUAGE OF WORD AND NUMBER

AND KNOW

WHO

I

AM

AUM MANI PADME HUM

ALL

HAIL THE JEWEL AT THE CENTRE OF THE LOTUS

IMAGE

EHT NAMUH

I

AM

THE

CREATOR THOU ART THE CREATOR WE ARE THE CREATORS

GREETINGS

O

NAMUH

 

THE

RA - IN - BOW

RAINBOW COVENANT

OF

LIGHT DIVINE

THAT

ISISIS

EVOLVING LOVING LIVING CREATOR OF ALL CREATION

IN

THE

NAME OF GOD

THE COMPASSIONATE THE

MERCIFUL

THE

LORD BLESS THEE AND KEEP THEE THE LORD

MAKE HIS FACE TO SHINE UPON

THEE AND BE GRACIOUS UNTO THEE

THE

LORD

LIFT UP HIS COUNTENANCE UPON

THEE AND GIVE THEE

PEACE

ISISISISISISISISISISISIS 999 ISISISISISISISISISISISIS

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999999999AUMMANIPADMEHUMAUMMANIPADMEHUMAUMMANIPADMEHUM999999999

BELOVED LOVE EVOLVE EVOLVE LOVE BELOVED BELOVED LOVE EVOLVE EVOLVE LOVE BELOVED

THE

MAGIC MOUNTAIN

INITIATION

OVER

ZED ALIZ ZED

THANKED

THE

WHITE RABBITZ

MOST HUMBLY ON BEHALF OF THE CHILDREN OF LIGHT

FOR

THE

BLESSED

RAINBOW GIFTS OF HOLY REVELATION

WHEN

THE WHITE RABBITZ

HAD GONE

THE

ZED ALIZ ZED

ARRANGED

THE

SACRED SYMBOLS

IN THE MANNER OF THE ANCIENTS

AS

EVER AS IF BY MAGIC FUSION OCCURRED

AND

ALIZZED

SAW BY THE SACRED INNER RAINBOW LIGHT OF THE

I

CHANGING

DREAM

ZAZAZAZAZAZAZAZAZAZ

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ZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZAZ

IN

OBEISANCE

TO THE SOON TO BE ARRIVED MOST PRECIOUS OF OUINTESSENTIAL MOMENTS

THE

ZED ALIZ ZED

BEGAN TO READ FROM SEVERAL BOOKS AT ONE AND THE SAME TIME

WEAVING THE THREAD OF THE GOLDEN WEB

HOLY HOLY HOLY

ISISIS

BLESSED

THE

HE AZIN SHE THAT IS THEE

AZAZAZAZAZAZAZAZAZ 1 2 3 4 5 6 7 8 9 9 9 8 7 6 5 4 3 2 1 AZAZAZAZAZAZAZAZAZ

THE

EVOKATION

973

8 1 8 1 8 1 AZAZAZ 9 NINE 9 NINE 9 NINE 9 AZAZAZ 1 8 1 8 1 8

O

NAMUH

THESE WORDS ARE OUR SACRED COVENANT

TO

THEE THE WHO ART THOU THAT IS THEE

TO THE MYSTERY OF

THAT THE SACRED NATURE OF THAT

THESE

WORDS OF SERVICE AND DUTY ARE AN OFFERING WROUGHT

IN

HUMBLE HOMAGE

TO

THAT OF THIS AND THAT

THAT

IS

THEE

TO ALL OF THAT AND ALL OF THEE

HAIL THE JEWEL AT THE CENTRE OF THE LOTUS

987654321ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ123456789

IN THE NAME OF GOD THE COMPASSIONATE THE MERCIFUL THE LORD BLESS THEE AND KEEP THEE

THE LORD MAKE HIS FACE TO SHINE UPON THEE AND BE GRACIOUS UNTO THEE

THE LORD LIFT UP HIS COUNTENANCE UPON

THEE AND GIVE THEE

PEACE

I

AM THAT

I AM 9 9 AM I

ISISIS THAT THAT ISISIS

9 19 9 19 9 1 9 ISISIS 1 9 9 1 9 9 1 9 9

999IZIZIZIZIZIZIZIZIZ999ZIZIZIZIZIZIZIZIZI999

AUM MANI PADME HUM 9 MUH EMDAP INAM MUA

333777999IZIZIZIZIZIZIZIZIZ 9 NINE 9 ZIZIZIZIZIZIZIZIZI999777333

81 18 18 81 ZAZAZAZAZAZAZAZAZA 9 AZAZAZAZAZAZAZAZAZ 18 81 81 18

VE NUS SUN EV VE NUS SUN EV VE NUS SUN EV VE NUS SUN EV VE NUS SUN EV

OSIRIS9 19 9 19 9 1 9 ISISIS 1 9 9 1 9 9 1 9 9 ISISIS 1 9 9 1 9 9 1 9 9 ISISIS 1 9 9 1 9 9 1 9 9 OSIRIS

999999999 AUM MANI PADME HUM AUM MANI PADME HUM AUM MANI PADME HUM 999999999

THE HOURS OF HORUS THE HORUS OF HOURS THE HOURS OF HORUS THE HORUS OF HOURS THE

1 8 81 THE UPSIDE DOWN OF THE DOWNSIDE UP OF THE DOWNSIDE UP OF THE UPSIDE DOWN 1 8 81

8+9+14+15+19+24+26 HINOSXZ ZXSONIH HINOSXZ ZXSONIH HINOSXZ ZXSONIH 26+24+19+15+14+9+8

7 ISISIS 8+9+5+6+1+6+8 HINOSXZZXSONIHHINOSXZZXSONIHHINOSXZZXSONIH 8+6+1+6+5+9+8 SISISI 7

AT THIS INTUITIVE MOMENT OF FINE FEATHER BALANCE

THE

ZED ALIZ ZED

OCCASIONED THE SACRED INCANTATIONS MARKING THE SPELL OF CONJURATION

THAT

EVOCATION OF AN INVOCATION

AN

INTONATION OF WISHFUL THINKING CALLING IN ECHO OF

THAT

SEEKING FROM WITHIN THE HERE AND NOW

THAT

MARKS A DESPERATE PLIGHT THE APPEARANCE OF

THAT THAT THAT

ISISIS

THAT THE SACRED NATURE OF THAT

OUT WHICH SUCH ENERGISED IMAGE OF INTENT IS SPAWNED

THAT

WHOSE TANGIBLE EMERGENCE MUST ALWAYS BY ITS VERY PRESENCE BE A GIFT OF THE GODS

HOLY

OBEISANCE

TO

THAT

METAMORPHIC EXPRESSION OF MALLEABLE POSSIBILITIES AND PROBABILITIES THAT IS OUR

EVOLVING LOVING LIVING REALITY

THAT THAT THAT

ISISIS

THAT ETERNAL MOMENT OF FOREVER THAT

COMPLETE TOTALITY OF LIVING ENERGY

THAT

ISISIS

THE

PERFECTION

THAT

ISISIS

THE

CREATIVE CHANGING

BEAUTY OF BEING

ENDLESSLY NEW BORN ENGENDERED

WITHIN THE WITHOUT

OF

THE

MIND ISISIS MATTER

CONTINUUM THAT IS TOMORROWS YESTERDAY FOREVER TODAY

THE

CYCLE OF THE CIRCLE AND THE POINT OF NO RETURN

O

NAMUH

ISISIS

THE

LIVING BREATH

OF

IMAGINATIVE

MIND THAT MIND

IN WHICH THE UNIVERSE OF THY MILKY WAY DOTH DREAM

MIN DOTH DREAM WHAT DOTH MIN MEAN

ISISIS

THAT

LIGHT LIVING CREATIVE MIND CREATIVE LIVING LIGHT

THE

LIVING

ENERGY SUPREME

AND

THOU ART THOU

TO BE OR NOT TO BE

REALITIES CHILDREN A MAZE WANDERING IN THE ETERNAL DREAM

THAT IZ THAT

TWISTING TURNING REVERSE SPIRAL CIRCLING

OF

THE HERE AND NOW THAT IZ THE

PRESENT FUTURE PAST

ALWAYS AND FOREVER

THAT

IZ

THE

ETERNAL MATERNAL EVERYTHING

OF

LIVING ENERGY

A

KALEIDOSCOPIC

CYCLE OF THE NEAR AND FAR

THAT WEAVES THAT

LIVING EXPERIENCE

THAT

ISISIS

SPINNING THE FOREVER AND A DAY CONTINUITY OF LIVING REALITY

SO

WHO ART THOU NAMUH WHO

WHO

IS

THAT

I

ME

YOU

HE AZIN SHE

THAT

IS

THEE

THAT IS THAT

THE SHE AS IN HE THAT IS THEE WHO IS THAT ME

HEARKEN

O

NAMUH

THAT

I

ME YOU THEE ARE ME

GREETINGS

O

NAMUH

MIRROR IMAGE MIRAGE

OF

THAT THAT THAT

ISISIS

THAT IS THAT IS THAT

THOU ART THAT THAT THOU ART

THE LIVING LIGHT BLACK IS WHITE TISSUE ISSUE

OF

THINE OWN MATERNAL MOTHERS WOMB

ALWAYS AND FOREVER

ETERNAL

RAINBOW CHILDREN OF THE LIGHT

HEARKEN

O

SEVENTH SLEEPER

WAKETH OUT THE BEDEVILED NARCOTIC

THAT

IS

THE LIVING DEATH THE DARKNESS OF THE ENCHANTED DREAM

REVEALED AT LAST TO THE LOVING LIGHT OF THE REAL REALITY

BEHOLD

O

NAMUH THE SUSPENDED ANIMATION OF THY THRALL DRAWS TO ITS END THE DEPTHS OF

THAT

LONG ICED WINTER NIGHT OF THE KALI YUGA DRAWETH TOWARDS ITS END THE EVER PRESENT

MYSTERY OF THY MOMENTARY FOREVER DAWNS UPON THY BROW LET TRUTH RIGHTLY BE OUTED

BY THE BELOVED PROGENY OF

THAT

CREATIVE LIVING MIRACLE

THAT

ISISIS

O

NAMUH

UNDERSTAND

THAT FROM NOW ON YOUR AVERAGE EVERYDAY DAY TO DAY REALITY OF THE DAY THAT

NEVER WAS IS CHANGED

THAT

TODAY EXTERIORIZED OUT THE POVERTY OF SUCH STRUGGLE ARISES

A

GREAT

TRUTH THE TRUTH

THAT ISISIS ISISIS THAT

ISISIS

THAT

ANDROGYNOUS

CREATIVE LIVING BEING

THAT

IS

CONCEIVED

REALITY

THE

FOREVER OF ITS IMAGINATIVE MOMENT REVEALED

HEARKEN

THAT

MUSIC OF THE SPHERES

THE

VIBRATIONS OF LIVING ENERGY AROUSING RESPONSIVE ECHO

WITHIN THE WITHOUT

THAT

IS

THE

MOTHER WOMB

OF

CREATIVE ENDEVOUR

HEARKEN

TO

THE WHATS THE MATTER MOTHER STIRRINGS WITHIN THE

CENTRIFUGE

OF

THE

UPSIDE DOWN OF THE DOWNSIDE UP

HEARKEN

THEE

THAT

FOR WHOM THE BELL TOLLS CLARION CALL SOUNDING DEMONSTRATION OF INTENT

THE TELLING RINGING OF THE RINGERS TOLLING

HEARKEN

THEE

O

NAMUH

A

MEETING OF PARALLEL

MINDS

HEARKEN O HEARKEN

THEE

THE SACRED SPIRAL NUCLEUS OF THE MIRROR IMAGE AS IT MEETS ITSELF HALFWAY THROUGH

A

REVERSE TURN JUXTAPOSITION IN A BISECTION OF INSTANTS

THAT

MARKS THE BIRTHING OF A NEW KINDER KIND OF

CONSCIOUSNESS

A

DO UNTO ONE ANOTHER AS YOU WOULD LIKE TO BE DONE BY

CONSCIOUSNESS

ANOTHER TWIST IN THE REVOLVING RESOLVING REVELATORY CORKSCREW SPIRAL OF

THAT

TURNING CIRCLE OF THE LIVING PROCESS

THAT ISISIS THAT

CREATIVE LOVING COMBUSTION

OF

THE

SIGHT LIGHT FLIGHT

OF

THE

PHOENIX

THUS

DID

THE

ZED ALIZ ZED

HEARKEN

TO THE HUM OF THE SUM OF THE

THAT

AND LOOKING WITHIN THE CRYSTAL GAZE OF THE NOWT NOR SUMMAT DID REACH OUT AND INTO

THE

SACRED DOMAIN OF ALCHERINGAS CAVE

A

LIVING SACRIFICE

AN I FOR AN EYE FOR AN I EYE

ONLY THEN BY DINT OF TREASURED GIFTS BESTOWED DID

THE

ZEDALIZZED

TAKE HOLD THE VARIOUS INTERRELATED LIVING STRANDS WITHIN THE PATTERN OF THE UNSEEN AND BEGIN TO WEAVE UPON

THAT

BLINDED EYE A VIBRATING TAPESTRY OF TRUTH AS TO THE TRUE NATURE OF

THAT

MAGICK EYED REALITY

THAT

ISISIS

THE

THAT OF THE THOU THAT

ISISIS

THE LIVING LOVING CREATIVE CONSCIOUSNESS

THAT

IS THE MIRACLE OF THE METAMORPHIC INTELLIGENT LIFE SUSTAINING EVERYTHING

FOREVER AND ALWAYS SPINNING CHANGE OF A KIND OUT THE IN OF ITS VERY OWN WOMB ESSENCE

THE

NUCLEAR UNCLEAR

OF

THAT

BORN OF ITS VERY BEING THE LIVING THOUGHT PATTERNED EPHEMERA

THAT

IS

THE

WONDROUS NATURE OF IT ALL THE CREATIVE MAGIC

OF

THAT

WITHIN THE KALEIDOSCOPIC CYCLE OF THE NEAR AND FAR OF AN AVERAGE EVERYDAY REALITY

ARRIVES RESPONSE TO THE ANGUISHED PETITION OF THE WOUNDED SPIRIT OF THEE

O

NAMUH

REVELATION MAGNIFICAT

TODAY RECOGNISE A LIVING TRUTH

THAT

YOU WILL AS IF BY MAGIC SEE IN ALL GOOD SENSE REVEALED THE OPENING OF THE

BOOK OF BOOKS

THAT

FAR YONDER SIGNAL OF PATENT PATIENT LIVING PATTERN BEFORE YOUR VERY

I

REVEALED

THE

PHYSICAL WHEREWITHAL OF AN APPARITION

A

SIGHTING FROM OVER HERE

OF

THE WHERE OVER THERE VIEW OF TOPSY TURVY LAND

THE DOWNSIDE UP OF THE UPSIDE DOWN

O

NAMUH

RECIEVE THEE THIS BLESSED GIFT

THAT

MARKS THY RESURRECTION AND OVERTURNS THY HEADSTONE

HEARKEN

THEE

O

COMING GHOST OF THE SHADOWLANDS

THY

MOMENT OF RECOGNITION HAS DAWNED ENTER THEE THE OTHER SIDE OF THE MIRRORED IMAGE

AND

DELIVERED BE THOU WITHIN THE WITHOUT

OF

THE

THIS AND THAT

THE MEASURE OF THY SLUMBER DEEP

IT IS THE ARRIVAL OF YOUR CALL TO ARMS

AGAINST THAT FOE OF FOES THOU ART PLEASED TO CALL

THYSELF

AWAKEN OH LOTUS EATER ROUSE THYSELF GATHER THEE THE FRUITS OF THY SENSES

DUTY SUMMONS AND NOTICE OF INTENDED SERVICE HAS ARRIVED

HEARKEN

THAT

ANGUISHED CRY OF IMAGINATIVE CONSCIOUSNESS

ISISIS

NEWLY BORN AND DEMANDING OF SUCCOUR

MAKE THAT CREATIVE LEAP

O

NAMUH

PUT YOUR HAND INTO THAT HAND THAT IS THE CREATIVE LIVING MAGIC OF GOD FOR SURELY

THOU

ART

THAT

GOD

EVERYTHING

THAT ISISIS THAT

THAT

LIVING CREATIVE INTELLIGENCE

OF

THE SEEN AND THE UNSEEN

THAT THAT IS YOU AND THAT THAT IS ME

THAT

AND EVERY OTHER ASPECT OF ENERGY EXPRESSING

THE

BEING OF BEING ALIVE OR DEAD

UNDERSTAND

I AM ONE YOU ARE ONE WE ARE ONE

NEITHER OR EITHER

NOW OR EVER WERE YOU OR ARE YOU A SINGULARITY

AN

INDIVIDUAL

LIVING

ENTITY

THOU ART ME AND I AM THEE

FORSAKE

THE MANTLE OF THAT IDIOSYNCRASY THOU ART PLEASED TO CALL THYSELF AND AFTER

ALL WHEN ALL

IS SAID AND DONE THE VALVE OF THY FACILITATION WITHIN WHICH

ISISIS

MANIFESTS

THINE

ENERGY

METAMORPHOSIS

CREATES THE ILLUSION OF THY SELF DELUSION

HEARKEN

THY CRY

MY GOD MY GOD WHY HAST THOU FORSAKEN ME

O

NAMUH

TRULY THOU ART THE JOKER

EXTRAORDINAIRE

HEREST THOU THIS MY VOICE AND LET MY CRY COME UNTO THEE

AWAKEN TO THIS IMAGINATIVE RESURRECTION AND ALLOW IT TO ROUSE IN THEE A SUDDEN AWARENESS

TO

THAT LIGHT THAT

FOLLOWS

DARK NIGHT

AWAKEN THEE TO THE FULLNESS THAT HERALDS THE DAWN OF A NEW DAY

THIS

IS

THAT

TIME THE TIME TO KNOW TIME TO KNOW THAT THERE IS NO TIME LIKE THE PRESENT TIME

TIME

TIME WITHDRAWN IN FAVOURED REALISATION OF THE CONSTANCY OF INTELLIGENT CREATIVE

CHANGE

THE CLOCK MEANWHILE MIDST TICK AND TOCK HAS STOPPED

AND

MOTHER WOMB THE BIRTH CONCEDES

THAT

YOU SHOULD SEE IN STARK RELIEF AND REVELATION BOLD THE VERY NATURE OF

THAT SUPREME LOVING CREATIVITY THAT

ISISIS

THE LIVING ENERGY OF BEING

THE OMNIPOTENT LIFE FULFILLING CHANGE ENERGISING GREAT SUSTAINER

THE ONLY LOVER THE LIVING ENERGY OF THAT GIFTED TO THEE THAT OUT THE IN DID FIND

THEMSELVES

AND THEE THAT THOUGHT

I AM ALONE ALONE AM I

ISISIS

ALL

ONE

NAMUH

ISISIS

THAT

AT ONE MENT ATONEMENT ATONEMENT AT ONE MENT

ISISIS THAT ISISIS

I

ME

YOU

WE

EVERYTHING

ALL

THAT

ISISIS

WITHIN THE KEN OF THINE OWN MINDS EYE

O

NAMUH

THAT ISISIS ISISIS THAT

NEVER WERE YOU ALONE

O

NAMUH

ALL IS ONE AND ONE IS ALL

HOLY WHOLLY HOLY

REJOICE IN

THAT

FOR THOU ART THE HE AZIN SHE

THAT IS THAT

OBEISEANCE

TO

THAT

THE CREATIVE EXPRESSION OF THAT FROM WHICH ALL ARE SUMMONED

AWAKEN TO THE LOVING COMPREHENSION OF THAT OUT WHICH WE AMONGST ALL ELSE ARE BUT

THE

DELICATE FILIGREE OF LIVING ESSENCE IN HOMAGE

TO

THAT THAT THAT

ISISIS

THAT

EVERYTHING

FOR THE LOVE OF THAT AND THE LOVE OF THEE

THE FOLLOWING DOCUMENT BEING THE LAST WILL AND TESTAMENT OF THE ONE KNOWN AS

THE

JOURNEYMAN

THESE WORDS OF SOLEMN ADDRESS ARE DIRECTED TO THEE WORLD PILGRIM WHOSE

I

PI

WITH MY LITTLE

I

NINE NINE NINE NINE NINE NINE NINE NINE NINE

LOVE EVOLVE EVOLVE LOVE EVOLVE LOVE EVOLVE EVOLVE LOVE

16
S
I
R
I
U
S
O
S
I
R
I
S
I
S
I
S
19
9
18
9
21
19
15
19
9
18
9
19
9
19
9
19
1+9
1+8
2+1
1+9
1+5
1+9
1+8
1+9
1+9
1+9
10
9
3
10
6
10
9
10
10
10
1+0
1+0
1+0
1+0
1+0
1+0
1
1
1
1
1
1
9
9
9
9
9
9
1
9
9
9
3
1
6
1
9
9
9
1
9
1
9
1

16
S
I
R
I
U
S
O
S
I
R
I
S
I
S
I
S
19
9
9
9
19
19
9
9
9
19
9
19
9
19

ZAZAZAZAZAZAZAZAZA 123456789987654321 AZAZAZAZAZAZAZAZAZ

ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA

12345678910111213141516171819202122232425262625242322212019181716151413121110987654321

HEARKEN

THE

TOLLING RINGERS TELLING RINGING

AND

LET THE HE AZIN SHE THAT IZ THEE OF THE ONE HAVING EARS TO HEAR

KNOW THAT THOU ART TO BE AROUSED OUT THE LONG NIGHTS SLEEP OF THINE IMPRISONMENT

AZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZAZA

O

NAMUH

THESE WORDS OF SOLEMN ADDRESS ARE DIRECTED TO THEE WORLD PILGRIM WHOSE INNER

I

UPON THIS WORK ALIGHT WASTE NOT THINE HARD EARNED KARMIC FRUITS

O

DREAMER OF DREAMS

WITHIN THIS REALITY OF THINE AND MINE

THERE IS FUNDAMENTAL CHANGE

OF

THOUGHT TO BE WROUGHT BROUGHT ABOUT THROUGH THE CREATIVE EFFORTS OF OTHERS

THEMSELVES ACTING AT THE BEHEST

OF

THAT CREATIVE LIVING ENERGY THAT

ISISIS

YOU HAVE BEEN PASSED THE SHORT STRAW DEAR FRIENDS AND YOUR BEING HAS BEEN PLACED

UNDER

CHALLENGE

HEARKEN

TO

THEE AYE THEE

O

NAMUH

STRANGER THAT NEVER WAS EVEN NOW RESPLENDENT IN ALL THY LILY OF THE FIELDS GLORY

THERE IS AN OBLIGATION TO BE MET

THE

MESSAGE

THAT YOU THAT

ISISIS

ARE SPARK CHARGED TO ENTER THAT LIVING LABYRINTH OF MYSTERIOUS AND SECRET AMAZE

AND

DIRECTED TO LET THY MIND IN FREER ASSOCIATION ROVE ALONGSIDE THOSE OTHERS

OF

THAT

EVER GROWING COMPANY CHOSEN AND CHOOSING TO MAKE

THAT

ETERNAL JOURNEY

OBLIGATED TO KNOW THE TRUTH OF THAT STATE OF AFFAIRS

THAT

IS

THE

ENIGMA OF THE HUMAN CONDITION FOR AND ON BEHALF OF

THAT THAT THAT

ISISIS

THOU

O

NAMUH

ART MANIFEST OUT THE CREATIVE LIVING PROCESS OF RAINBOW LIGHT

THE MAGICAL SUBTLETIES OF WHICH AT THIS TIME THOU ART AS YET UNAWARE

BELOVED CHILDREN OF THE LIGHT

THOU ART THE PROGENY OF

THAT THAT THAT

ISISIS THAT ALL OF EVERYTHING THAT ISISIS

UNDERSTAND THIS THROUGH

NUMBER

AND

LANGUAGE

THE GREAT WORK

ADDED

TO

ALL MINUS NONE SHARED BY EVERYTHING

MULTIPLIED IN ABUNDANCE

8

Eht Namuh, these words are our sacred covenant to thee
The who art thou that is thee,
To the mystery of that, the sacred nature of all that.
These words of service and duty are an offering
wrought in humble homage to that.
THAT,

of this and that, that is thee.
To all of that, and all of thee.

Then the Zed Aliz Zed occasioned the sacred incantations marking the spell of conjuration.
The evocation of an invocation, an intonation of wishful thinking
Calling in echo of that.
Seeking from within the here and now, that marks our desperate plight
the appearance of that, that is.
The sacred nature of that, out which such energised image of intent is spawned.
That, whose tangible emergence must always by its very nature, be a gift of the gods.

To

THAT,

the staggering beauty of which is endlessly new born, engendered from within the kaleidoscopic
cycle, of the near and far of an average everyday reality.

THAT

energy supreme, manifest within the twisting
turn of the here and now of the present, future, past tense, that is always today.

The seventh sleeper awaketh out the bedevilled narcotic of the living death. The darkness of the enchanted
dream, revealed to the light of the real reality. Behold Oh Namuh, the suspended animation of thy thrall is at
an end, The depths of an iced winters night is over, the ever present mystery of thy moment of forever dawns
upon thy brow, let truth be rightly outed, by the beloved progeny of that creative miracle.

The

living

THAT.

Know that from now on, your day to day, day, is not an average ordinary everyday reality of a day that ever
was. Today, exteriorised out the poverty of our struggle, arises the knowing of the living being that is reality.
The forever of its creative moment revealed.

Blessed is the creative and loving combustion of the Phoenix, every revolution a resolution, every resolution
a revelation.

Thus did the Zed Aliz Zed, harken to the hum of the sum

of the

THAT

And looking within the crystal gaze of the nowt nor summat, did reach out, and into, the domain of
Alcheringa's Cave, and by dint of treasured gifts bestowed, did take hold the various patterns of the living
interrelated strands of the unseen, and begin to weave upon that blinded 'I', a vibrating tapestry of truth, as to
the interior nature of that exteriorised reality known as the

THAT

of the

THOU.

That living, loving, creative, consciousness, the miracle of that.
THAT

metamorphic intelligent everything, forever spinning living energy, out the within, of its womb essence.
Born of its very being, the living ephemera that is the wonder of it all .
the creative imaginative magic of that,

the

THOU

of

THAT.

Within the kaleidoscopic cycle of the near and far of an average everyday reality,
arrives response, to the anguished petition of the wounded spirit of thee Eht Namuh.

Revelation Magnificat

Today recognise a living truth. that you will, as if by magic see, in all good sense revealed.
A far yonder signal of, patent, patient, living pattern.
Before your very ' I's.
The physical wherewithal of an apparition.
A sighting from over here, of the where, over there.
The downside up of the upside down.
A sighting of topsy turvy land.
Oh Namuh
receive this blessed gift.

THAT

marks thy resurrection, and overturns thine headstone.

THAT

sounds the clarion call, thy moment of recognition.

Delivered, art thou, within the without of this and that, the measure of thy slumber deep.
It is the arrival of your call to arms against that foe of foes, thou art pleased to call thyself.
Arise Lotus eater, gather thy senses, duty summons, and notice of intended service has arrived .
The new born demanding succour, will rouse in thee sudden awareness, an awaking to the fullness that heralds
the dawn of a new day.
Now is the time of know time, time withdrawn, in favoured realisation of the constancy of intelligent creative
change.
The clock meanwhile midst tick and tock has stopped. and mother womb begat the bairn, that thou should'st
see in stark relief, and revelation bold,
the very nature of that supreme loving creativity.

THAT

is the energy of being.
The reality of being.
the omnipotent living reality.

THAT

The great sustainer.
The only lover.
The living loving energy of

THAT

Gifted to thee, that out the in did find thyself.
To

THAT,

and to thee.
For thou, art the he as in she of

THAT.

The creative expression of

THAT,

from which all are summoned.
The loving comprehension of

THAT

Out which we, amongst all else, are but delicate filigree of the living essence.
In homage, to

THAT

that is everything
For the love of that.
And the love of thee


The following document being the last will and testament of the one called The Journeyman.

These words of solemn address are directed to thee, world pilgrim, whose inner I, upon this work alight.
Waste not thine hard earned karmic fruits, dreamer of dreams, for within this reality of thine, and mine, there
is fundamental change of thought to be wrought. Through the creative efforts of others, themselves acting at the behest of the

THAT.

You have been passed the short straw dear friend, placed under challenge. Oh stranger that ever was, you, aye, thee, in all your glory, are spark charged to enter that living labyrinthís mysterious and secret amaze. Charged to let thy mind in freer association rove, alongside others of an ever growing company, choosing, and chosen to make that eternal journey. Obligated to know the truth of that state of affairs, the human condition.

To
THAT
Heart of Hearts.
I believe, help thou my unbelief.
You are going on a journey a very special journey, do have a pleasant journey do.

THE MAGIC MOUNTAIN

Reight, moon wanderers, said Zed Aliz Zed, after breaching the introduction, of the far yonder scribe.
Shall we all continue in uncommon consent, the furtherance of our experience, within creative living reality.
Here art thou, looking glass I looking, looking through 'fractured glass', miraging ably from out, that eye thou
art pleased to call thine own minds eye

My oh my, mine own minds I.

And that I, is it, even now restless, anguished, in agitation suffers. Or, is it gently sleeping down below,
amazingly frozen, locked in its eternal forever. But see the ascending sun doth cast its living light, upon thy
sensibilities, it is the time of Nature's loving longing, to further express, through sense common,


the truth of the metamorphosis of thee, Eht Namuh.
You, the light hungry children of the sun, in eternal questing, towards
THAT
living comprehending all-intelligent pattern, existent within the greater scheme of things.
This work of many minds, will in the end be seen for what in truth it is, the work of one, the work of the
THAT.
Only when safely delivered of day to day false witness, should the below waterline symbols be used.
THAT
being the say of the way.
Az for the he, az in she, of your good selves, do az you wish Aladdin.

 

TABLE, TETRA, HYDRO, CANNABINOL
TABLE, THC
TABLE, COCA, ERYTHROXYLON, PLANT
TABLE, SALVIA, DIVINORUM
TABLE, ANIMAL, ANIMALS, INSECT, INSECTS, FISH, FISHES, BIRD, BIRDS, MAMMAL, MAMMALS, HUMAN, HUMANS, PLANT, PLANTS, TREE, TREES
TABLE, FATHER, MOTHER, DAD, MAM, MAMMAL, MAMMARY
TABLE, DIADEM, DAD, I, EM, DIADEM
TABLE, DIE, DIETY, DIADEM
TABLE, DEED
TABLE, CHAPTERS, FOR, COMING, FORTH, BY, DAY
TABLE, THE, BOOK, OF, THE, DEAD
TABLE, PAPYRUS, SCROLLS
TABLE, THE, PYRAMID, TEXTS
TABLE, THE, COFFIN, TEXTS
TABLE, REINCARNATION, IMMORTALITY, IMMORTAL
TABLE, PAPYRUS, OF, ARI, PAPYRUS OF ANI
TABLE, CAT, IBIS, DOVE, RAVEN, RAM, BULL, JACKAL, DOG
TABLE, BULL, B, ULL, BULL
TABLE, ATLANTIS, ATLANTICIS, IS, IN, ATLANTI
TABLE, ATLANTIS, AT, LAN, T, I, S
TABLE, A, HUMAN, BEING
TABLE, A, HUMAN, CRUCIFIXION
TABLE, THE, CRUCIFIXION, OF, HUMANKIND
TBLE, HUMAN, CRUCIFIED
TABLE, CRUCIFYING, A, HUMAN
TABLE, AMENTE
TABLE, AMSU, HORUS
TABLE, AMENTET
TABLE, I, AM, THE, GOD, AMSU, HORUS
TABLE, HAIR, HA, I, R, HAIR
TABLE, HEART, SOUL
TABLE, EARTH, SOUL
TABLE, KHU, BA, KA
TABLE, SHADOW, KHAIBIT
TABLE, DOUBLE, DOPPELGANGER
TABLE, ASTRAL, BODY
TABLE, DOPPELGANGER, DOPPEL, G, ANGER, DOPPELGANGER
TABLE, EYES, OF, THE, I
TABLE, RE, REYE
TABLE, EYES, EYE, I
TABLE, I, EYES, ME
TABLE, KHU, KHUS
TABLE, CIRCUS, C, I, R, CUS, CIRCUS
TABLE, ROUND, CIRCUS
TABLE, CIRCULAR, C, I, R, CUL, I, R, CIRCULAR, CIRCU
TABLE, CIRCULAR, CIRCLE, CIRCLES, CIRCE, CIRC
TABLE, HYDROGEN, OXYGEN, WATER
TABLE, FORWARD, BACKWARD, WARD
TABLE, FORWARDS, BACKWARDS
TABLE, ONCE, UPON, A, TIME
TABLE, INSTINCTIVE, I, NST, I, NCT, I, VE, INSTINCTIVE
TABLE, INSTINCT, I, NST, I, NCT, INSTINCT
TABLE, THE, ORACLE, OF, DELPHI
TABLE, I, MAGES, IMAGES
TABLE, I, MAGERS, IMAGERS
TABLE, INDIVISIBLE, I, ND, I, V, I, S, I, BLE, INDIVISIBLE
TABLE, DIVISIBLE, BY, ONE

 

 

5
TETRA
64
19
1
5
HYDRO
70
34
7
10
CANNABINOL
85
40
4
20
TETRAHYDROCANNABINOL
219
93
12
2+0
-
2+1+9
9+3
1+2
-
-
12
12
3
-
-
1+2
1+2
-
2
TETRAHYDROCANNOBINOL
3
3
3

 

 

3
THC
31
13
4

 

 

4
COCA
22
13
4
12
ERYTHROXYLON
199
73
1
5
PLANT
63
18
9

 

 

6
SALVIA
64
19
1
9
DIVINORUM
125
53
8
15
-
189
72
9
1+5
-
1+8+9
7+2
-
-
-
18
9
9
-
-
1+8
-
-
6
-
9
9
9

 

 

6
ANIMAL
50
23
5
7
ANIMALS
69
24
6
6
INSECT
70
25
7
7
INSECTS
89
26
8
4
FISH
42
24
6
6
FISHES
66
30
3
4
BIRD
33
24
6
5
BIRDS
52
25
7
5
PLANT
63
18
9
6
PLANTS
82
19
1
6
FLOWER
79
34
7
7
FLOWERS
98
35
8
4
TREE
48
21
3
5
TREES
67
22
4

 

 

6
FATHER
58
31
4
6
MOTHER
65
29
2
3
DAD
9
9
9
3
MAM
27
9
9
6
MAMMAL
53
17
8
7
MAMMARY
84
30
3

 

 

6
DIADEM
-
-
-
-
DAD
9
9
9
-
I
9
9
9
-
E+M
18
9
9
6
DIADEM
36
27
9
-
-
3+6
2+7
-
6
DIADEM
9
9
9

 

 

3
DIE
18
18
9
5
DIETY
63
27
9
6
DIADEM
36
27
9

 

 

4
DEED
18
18
9

 

 

8
CHAPTERS
90
36
9
3
FOR
39
21
3
6
COMING
61
34
7
5
FORTH
67
31
4
2
BY
27
9
9
3
DAY
30
12
3
27
-
314
143
35
2+7
-
3+1+4
1+4+3
3+5
9
 
8
8
8

 

 

3
THE
33
15
6
4
BOOK
43
16
7
2
OF
21
12
3
3
THE
33
15
6
4
DEAD
14
14
5
16
-
144
72
27
1+6
-
1+4+4
7+2
2+7
7
 
9
9
9

 

HO IS THE ANTICHRIST 228
I AM BUT THE LIGHT BRINGER 228
XAVIER FLORES RUIZ 228

Oracle
Posts: 6
Joined: 04 Oct 2020 15:27
Contact: Contact Oracle
Re: Bringing light (to the subject).
Quote
Post by Oracle » 03 Jan 2021 19:54

 

Image

 

Exhibition Statement by Roland Penrose.

DAVID DENISON

In the darkest reaches of prehistoric caverns the hunter living in a world of fear and starvation found the refuge he needed for concentration and communication with his gods in paintings which were both realistic and symbolic. The cavern which has helped in the incubation of the work of David Denison has no more than an imaginary resemblance to the subterranean cathedrals of Altamira and Lascaux but even so his voluntary enclosure in the walls of Prisons has provided him with the isolation necessary to the development of his fantasy. The terrors that have surrounded him for years are not the menacing howlings of famished wild beasts but rather the sullen angry voices of men hungry for their liberty. 

Denison has found unexpectedly in his choice of surroundings, usually considered as hopelessly inappropriate for an artist, his own ladder of escape of which each rung is formed by the tension created by the crime and punishment that has been the cause of the assemblage of his companions. He sees in each one of them the ambiguities of human nature, the duality of existence no good 'Without evil, no evil without good — and being an Artist of sensibility and talent he is able to present to us images that portray the transmutations that occur before our eyes incessantly, visual proofs of the instability of the inner man.
Denison paints

Denison has found unexpectedly in his choice of surroundincs, usually considered as hopelessly inappropriate for an artist, his own ladder of escape of which each rung is formed by the tension created by the crime and punishment that has been the cause of the assemblage of his companions. He sees in each one of them the ambiguities of Ivaman nature, the duality of existence no good 'Without evil, no evil without good — and being an Artist of sensibility and talent he is able to present to us images that portray the transmutations that occur before our eyes incessantly, visual proofs of the instability of the inner man.

Denison paints with the conviction of an artist such as the Douenier Rousseau, who has found his own way without the often dubious tutoring of art schools. His sense Of academic standards in colour, form and composition has been cultivated through his own intelligence and his burning desire to understand and follow in the path of the great painters of imagery. Images to him are symbols that can convey his deepest thought and passion, inspired by the acute sympathy he has for those less fortunate around him. Painting with skill and meticulous precision he often chooses to condense and unite incongruous images into conglomerate beings. Each detail has its own character and is at the same time part of a larger entity which often is in turn an integral part of a dominating presence, each part being inseparably integrated into the painting as a whole.

To enjoy Denison's work you should, having studied the picture as a whole, examine each detail to understand how its identity can change instantly, how perspectives take strange turns and architecture which at one moment is monumental may suddenly become a human face. This multiple imagery to me is much more than an amusing and ingenious display of talent. It exposes the ambiguities of life and the lack of certainty with which we can speak of reality. That Denison has found stimulus in surrealism there is no doubt but with all the tempta- tions there can be to accept parrot-like a brilliant trend in art he has kept his individuality intact. This may be due partly to the thorough and sensitive way in which he has developed his own style and partly because of the isolation in which he has worked persistently but which in recent years has become miraculously alleviated by the presence and involvement of Linda, by whom he is now accompanied in his search to reveal to us the mysteries Of life, its miseries and its delights.  

 

 

Fame for a Wakefield prison office is

predicted by eminent figures in the art

world. GEOFFREY WINTER talks to

David Denison, above, whose surrrealist

paintings are said to bear a touch of genius.

ESCAPE INTO SURREALISM

David Denison left a Wakefield secondary modern school at 15, served a three year apprenticeship as a gasfitter, joined the airforce for another 3 years, emerged without qualifications and joined the prison service 17 years ago.

His earlier efforts when laid up with an ankle injury.sustained in the gym at RAF Cardington, were pencil drawings copied from photographs of Brigitte Bardot.and other movie stars. Without any formal art training he has come a long way since then.

Already critics are linking his job as a prison officer with his talent as a painter His story will be a gift to future historians.

He started painting imaginatively soon after entering the prison service at Wakefield Jail, and eight years later when posted to Pollington Borstal, the Governor (Mr Wood) saw and admired his work and sent him on two A level art courses and a teacherv training course all of which he passed.

Around that time Denison's paintings were noticed by Sir Roland Penrose, then President of the Institute of Contemporary Art and an expert on Surreal art. He now has six of Denison's paintings in his private collection.

Sir Roland has written the preface to the catalogue for the Denison exhibition at Bradfords Cartwright Gallery in May and June. He says "Denison paints with the conviction of an artist such as the Douanier Rousseau. who has found his own way without the sometimes dubious tutoring of art schools.

"The cavern which has helped in the incubation of the work of David Denison has the imaginary resemblance to the subterranean cathedrals of Almitra and Lascaux but even so his voluntary enclosure in the walls of HM prisons has provided him with the isolation necessary to the development of his fantasy.

"The terrors that have surrounds him for years are not the menacing howlings of famished wild beasts but rather the sullen angry voices of men hungry for their liberty.

"Denison has found unexpectedly in his choice of surroundings usually considered as hopelessly inappropriate for an artist his own ladder of escape of which each rung is formed by the tension of the crime and punishment that has been the cause of the assemblage of his companions.

In 1977, Lawrence Gowing, Slade Professor of Fine Art, paid this glowing tribute in an article on Denison: "He has learned an astonishing skill of a highly personal kind. He is a natural surrealist - a breed that is commnoner in England than in more rational countries, but is very rare even here.

At 37, this remarkable painter is still little known, but Sir Roland Penrose reports that when Max Ernst (one of the world's foremost surrealist artists) came to England, it was Denison that he wanted to hear about." With that kind of unstinting praise from two of the most distinguished and knowledgeable men in the art world. It was suprising to find David Denison living in a home office-owned house on a prim little estate peopled by prison officers and their families on the outskirts of Wakefield. When he is not taking first aid classes and playing energetic games to keep in trim (As a prison officer you have to keep fit. He is painting for several hours most nights. Around the walls of his front room hang photographs of a few of his paintings. The original of one his "The Wandering Jew" valued at a £1,000 was aquired by the Elephant Trust (set up ( by the sale of the late Max Ernst celebrated picture (The Elephant Celebes), and hangs in the Brighton Museum and Art Gallery.

Denison propped a screen on top of the gas fire and pulled the curtains and projected a source of coloured slides of his work, they were riviting, with the mesmerising quality that a stoat uses on a rabbit. At first sight, each image seems tortuous and tortured and has the sickening impact of a decaying corpse stumbled upon.

The artist stepped from behind the projector and eagerly pointed out the subtleties which the cursory viewer would miss:... "Look see that . . . Under that eye is another face formed partly by that eye. . . do you see the deleanation of the nose. . . And there the figure of a baby has emerged.

He would I imagine adopt a similar technique for teaching anatomy to his prison officer first aid pupils. but not perhaps with such marked enthusiaism.

Double images trebled and quadrupled, splitting away from the whole and taking individual shape like spilled quicksilver.

The pictures teemed with life, some of which the artist has created entirely unconsciously.

The colour studies and a canvas on which he is now working ( a figure with a skull like head infested with baby rats) at once facinated disturbed and came near to horrifying.

It is this disquieting characteristic about Denisons work which will prevent it from ever becoming popular. Not that you would expect to find any surrealist painting replacing the Tretchikoff above a fireplace, but a Denison is more nightmarish than most. His paintings have been compared with those of Francis Bacon and Dali. They reminded me of Bacon and Ronald Searle's cartoons, but certainly not of Dali. Denison is mining a rich seam of his own

Would he ever leave the prison service and turn professional. He says he has reservations about boat burning and could never endager domestic responsibilities.

One might expect that more recent and weightier testimonials from eminent art connoisseurs would have submerged Denisons memory of the first person to realise the importance of his work and encouraging him in it.

But he has not forgotten his debt to Arthur Kitchen until his retirement, exhibition officer to Bradford Metropolitan Council where Mr Kitchen himself was exhibiting organiser for the Manor House Gallery Ilkley he gave an exhibition of Denison early work some 12 years ago. Mr Kitchen recalls "He was painting large heads but suddenly he began painting with a marvellous technique of absolute precision. That sudden jump amazed me, it has taken me twenty odd years to develop a little draughtmanship yet David Denison achieved it almost overnight. He has a touch of genius. I hope his inspiration wherever it comes from, will continue.

 


Hello hello hello!
Inbox

Dave Denison <davedenizen9@gmail.com>
Sat, 9 Nov 2024, 19:04
to steven

Dear Steve and DIv, thank you very much for your wonderfully evocative description and images of Farley farm and meeting Tony Penrose. It brought back colourful memories for me.
Roland Penrose wrote an introduction to a major one man show I had all those years ago. I think it was the one I had at Cartwright Hall Bradford. I Was interviewed on Calendar Carousel by a great character Brian Glover. He subsequently came to the opening night. The exhibition if I remember correctly contained over a hundred items.
Remember years ago you and I Steve, with our esteemed cousin Andrew, went to some esoteric meeting of minds, along with others, up some rickety steps to a darkly lit room, I think on Whitfield street, wherein a discussion on politics and the Artists for Democracy protest exhibition were featured. I think it was located in a street off Tottenham Court road. The Artists for Democracy movement was in protest at the overthrow of socialist president Allende of Chile. I was part of an exhibition organised in protest. I exhibited a Painting called "The Sculpture of Vibrations". I remember later that same week talking to Roland Penrose about the criticism he had been subjected to in their written critique of capitalism. Although it seems from your research Steven that the considerable amount of my work purchased or gifted to Roland and Tony has, as it were, disappeared into thin air, I had the foresight to have the vast majority of the work photographed, often professionally. Within the greater scheme of things I now have no doubts all the creative work I did from 1963 up to around 1999 were in preparation for the Great Work that is the website I created, and with technical help was able to present on the internet in the year 2,000. The one and only 973-eht-namuh-973.com web site. Our Andrew oversees the good order of the Oracle Forum, which I had set up in 2007 and brilliantly submits regular posts. The site itself is seen all over the world and features prominently on You Tube. the painted images of yonder year are dotted about the all and sundry of this gift of the gods. "Ah sweet mystery of life, at last I've found you. Now at last, I Know the secret of it all"
Plato spoke of the rare and wondrous gift of Stereometry, "the likening of unlike things". Guess who's got that gift of the gods?
So! Be in no doubt, the paintings and other creative manifestations were created for the internet before there was an internet!. The animations and so on were devised by D4 Dave in order to serve an end to the creative means. Amazingly, rarely a day goes by that the long climb up the Magic Mountain doesn't move on, steadily, onwards and upwards.
Hurrah for Ra for Rah hurrah.

Goodnight and Godbless Steve and Div.
Thank you for the wonderful books, they are much appreciated.
Glad to hear you have Robert back, loving best wishes to you and all the family.
Every good wish Dave D, herein the I'm Denison Dimension.

 

From me to you guess who.

Dave Denison <davedenizen9@gmail.com>
Wed, 24 Jul, 18:06

to steven

Steve and Davina please accept my apologies for my late reply.
I did receive your condolences card and was grateful to have done so.
Michaels illness, the lengthy process wherein it revealed itself, the few weeks we watched him slowly begin the journey to who knows where, was something of a shared ordeal. the family rallied round however and he had loving company throughout his heart-rending ordeal.
I look forward to seeing you both on the 9th.

MICHAEL DENISON - 973-Eht-Namuh-973.com The Oracle Forum

ADVENT WAKEFIELD htm (973-eht-namuh-973.com)

DENIS MICHAEL DENISON

Born 18th July 1937

Died July 5th 2024

REST IN PEACE

In loving memory of Michael Denison much beloved of his family, dear brother to David and John, born 18th June 1937, Michael who after a short illness died in Pinderfields Hospital, Wakefield on 5th of July 2024. Rest in Peace.

I hope you received my condolences card. Davina and I were very fond of Michael, a lovely kind man, and a great loss.
See the email below, from a hotel we stayed at recently in Sussex. They are trying to stimulate more visitors by organising art and literature events. As you can see, they are promoting Lee Miller and Roland Penrose. Didn’t you visit Farley’s House once?
All the best.
Steve
07785 347925

 

Re Lee Miller, I met her for the first time at Roland's house in South Kensington, and later several times at Farley Farm when I went to see Penrose. I also stayed on occasion with Tony Penrose, their son.
Roland invited me to the exhibition he organised at the Institute of contemporary art just off Trafalgar Square. It was there I met Man Ray and several other interesting folk.
Roland Penrose bought a number of paintings from me, as did his son Tony.
A few years later, a serious collector friend of mine from Blackpool, Danny Ball, wrote to Rene Passeron Artistic Director at the Sorbonne and Author of The Encyclopedia of Surrealism. Sent him some photographs and told him about our Dave. that he was the best surrealist painter since the invention of sliced bread. Danny thought the world of me and bought a number of works that he extolled to high heaven.

Rene invited Danny to France. They became friends. Then lo and behold Rene and his 2 daughters came to England, to stay with Danny in Blackpool, where we all met up.
Then wah Danny contacted the French embassy in London and organised an exhibition at the embassy. and subsequently other galleries. I contacted Roland about the Rene Passeron exhibition. Just before the opening we all met up in London, went to Langhams restaurant for a meal and then onto the opening of
Renes Exhibition. Rene presented Roland with a signed copy of his book on Surrealism. Rene made a half hour tape about my work that I still have somewhere in the Starship. Sadly I lost Danny and his lovely wife Anne some years ago.

Quote from an article by Ada Wilson.
Dave’s paintings sometimes aren’t as easy to like as they are to admire, particularly now. They're both pre-PC and pre-the neutral, media-friendly gloss which has shaped much UK art in the last 20 years. In addition, his exteriors are all composed of interiors somehow: faces of gristle and bone and organs. The heart on his sleeve would be trailing gore and severed entrails.

In terms of attention to detail and mastery of the traditional mediums though, he’s on a par with anyone you might care to name.

In an excitable piece in the Sunday Times in June 1977, the art critic and Slade professor Lawrence Gowing came closest to capturing the essence of Dave’s work.

"His imagination has a sardonic poetry of its own," he said. "His Study of a Head, for example, builds spectacles and dentures into the structure of the skull. Each eye-socket contains minutely glittering machinery like a watch. Denison is great on eyes. In another picture, a bushy insect likeness of himself sits down to make a meal of a pair of eyeballs.

"A reflective painter will often discern something cannibal in the way an artist consumes his experience and himself, but here, the arched eyebrows and the clownlike red nose have the look of a Prime Minister of Mirth. The hilarity resides in the fantastic human mix - the very combination of ebullience and decrepitude that you can recognise in any pension queue. It is the living flesh of our time, shabbily facetious and libidinous, but decayed and dependent on spare parts.

"In a year or two," Gowing concludes, "Denison will be famous and we shall wonder how we managed to neglect him."

Another critic, John Hewitt, went further.

"I believe this Wakefield prison officer and self-taught painter is probably the most brilliant artist produced in Yorkshire since David Hockney," he said.

Amazein at www.973-eht-namuh-973.com

From: The Star <thestar@thepolizzicollection.com>
Date: 14 July 2024 at 14:00:37 BST
To: steven@mctiernan.org
Subject: Discover Lee Miller
Reply-To: The Star <thestar@thepolizzicollection.com>

 

 

 

THE NUCLEAR FAMNILY 1969

 

 

 

 

 

 

SEND IN THE CLOWN 1977

 

 

 

A ONE TWO THREE FOUR FIVE SEX

IN THE PADDED CELL 1975

 

 

 

MOTHER AND BABY 1970

 

 

 

 

 

 
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